摘要
也许迪斯尼主题公园最集中地代表了今天消费主义时代的建筑理想。首先,它从好莱坞的梦工厂里降生到人间,初衷就不是为了创造真实的世界而是再现梦境,从而提供获得拟真体验的环境。其次,它迅速在世界各地落户并取得商业成功,让空间消费主义变成了全世界有目共睹的事实。我们决不可简单的把它看作是美国的文化侵略而应当把它当作当代大众空间消费的一个成功的例证。在本文中作者分析了香港迪斯尼的空间消费不仅在园内操控和规训了人们的空间消费习惯,同时也在园外,甚至在反对迪斯尼的本土建筑保护团体中激起了同样的空间消费逻辑。这个事实提醒我们空间消费主义不再是地域性的或者是可以用标签化、污名化就可以成功反抗的现象,相反我们必须把它放在全球化的后资本主义时代背景下考虑应对的策略。
When it dropped from the Hollywood heavens to mortal southern California, the first Disney theme park did not aim to create a more real world, but instead to manifest a collective dreamspace, where virtual experience became possible.The theme park model of business quickly and successfully reproduced itself throughout the world, complicating notions of American cultural imperialism.Instead, we are faced with the critical task of understanding and defining global forms of spatial and environmental consumption. In this essay, Yu Xuying analyzes how the spatial consumerism that characterizes Hong Kong Disneyland is in fact an elaboration of the real estate and commodified environments that exist beyond its actual borders. His discussion indicates that Disney theme parks may best represent the architectural ideals of our global,consumerist era.
出处
《世界建筑导报》
2013年第5期15-17,14,共3页
World Architecture Review
