摘要
张碧梧的时装画风格简约,线条优美,以旗袍为主,体现出对民国旗袍冗杂的装饰手法的简化、结构的中西结合、配饰艺术灵活多变的改良趋势。张碧梧通过服饰画既完成商业流行现象的公共话语阐释,也完成与都会女性传奇的私人话语讲述,给消费者提供着装搭配与审美观念的引导,推动了更为自主、奔放的都会想象。
Zhang Biwu＇s costumes painting, focusing mainly on cheongsam, are simple and beautiful, and reflected the improvement trend of cheongsam： simple decoration, the combination of Chinese and Westem styles, and flexible accessories. Zhang Biwu completed the public discourse interpretation of popular commercial phenomenon and private discourse interpretation of city girls through the costumes painting, providing consumers with the aesthetic ideas of dressing and promoting more independent and vigorous imagination of city.
出处
《苏州教育学院学报》
2013年第2期11-14,共4页
Journal of Suzhou College of Education
基金
江苏省高校哲学社会科学研究基金资助项目(2012SJB760039)
关键词
张碧梧
时装画
鸳鸯蝴蝶派
Zhang Biwu
costumes painting
the Butterfly School
