摘要
发生于20世纪40年代并在解放区广泛开展的新秧歌运动,不仅在延安时期中国共产党进行社会动员、建构解放区革命文艺新秩序的过程中扮演了重要角色,而且也对改造民间社会及其民众思想,特别是整合知识分子的情感方式和价值观念发挥了不容忽视的作用。新秧歌运动的工农兵主体文艺指向,在使延安知识分子发挥自身职能专长参与革命文艺秩序建构的同时,开始了角色的转变与思想改造过程。特定政治权力和大众意识的双重趋迫下知识分子话语的缺失及其文化性格的重塑,在这场以改造置换乡土民间艺术使之适用于特定意识形态文化建构的文艺运动中得到了富有意味的呈示。
New YangKo movement, occurred in the 1940s and is widely carried out in the liberated areas, it has not only played an important role in the process of social mobilization and constructional new order of revolution in the liberated area of literature and art for Chinese Communist Party, also acted a role in the transformation of civil society and its people＇s thinking,especially the integration of intellectuals emotional way and values, As for Yah＇ an intellectual expertise, the main literary driection of workers, peasants and soilders in New YangKo movement,it involved in the revolution play to their functions of order construction of literature and art,meanwhile, has completed their own changing role of suffering. Under specific political power and public awareness of the dual increasingly forced strength, the missing of intellectual discourse and remodeling of their cultural character, it applies to the rich means in this retrofit replacement of native folk art and makes it the presentation of specific ideological and cultural construct literary movement.
出处
《青海师范大学学报（哲学社会科学版）》
2012年第6期88-92,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
关键词
新秧歌运动
知识分子
话语
民间
文艺大众化
New YangKo movement
intellectual
discourse
folk
popularity of literature and art
