摘要
作为一种文化现象,花间别调的出现反映了诗学传统的强大影响力。不同于花间正声的局限于艳情,花间别调以词咏史、描写乡土风物、展现塞外风云、歌颂隐逸,题材相当广泛。在艺术手法上则注重词的叙事性,多向民歌学习,抒情主体性较为明显。究其成因,一方面是文学传统自身沿承、变化的结果,另一方面则是传统情志观离合的一种体现。可以这么认为,花间别调不仅仅是中唐文人词的进一步延伸,更为重要的是,它的出现意味着多元化的词体走向,使词没有完全陷入艳体的窠臼。正是在花间正声与花间别调的合力下,词逐渐完成了由晚唐五代向北宋的过渡。
Huajian Biediao,as a literature phenomenon,has witnessed the overwhelming power of poetry tradition.Different from Huajian Zhengsheng which is confined to expression of emotion,Huajian Biediao covers a wide range of topics of history,customs,legends beyond the Great Wall,and eulogy on reclusive life.In terms of artistic characteristics,Huajian Biediao focuses on narrative feature and on learning from folk songs and therefore,has a distinctive feature of lyricism.This trait results from the evolution of literature itself and is the embodiment of the history of the expressive and impressive traditions.Huajian Biediao is,to be sure,the extension of the literal ci in Mid-Tang Dynasty.Moreover,it reflects the multi-dimentional stylistic development of ci,which freed ci from the limitation of sentimentalism.It is under the combined influence of Huajian Zhengsheng and Huajian Biediao that ci transfers gradually from the late Tang Dynasty and the Five Dynasties to North Song Dynasty.
出处
《西南石油大学学报（社会科学版）》
2012年第3期102-107,共6页
Journal of Southwest Petroleum University(Social Sciences Edition)
关键词
五代
词
花间别调
诗学传统
情志
the Five Dynasties
Ci
Huajian Biediao
poetic traditions
impressionism and expressionism
