摘要
本文对于会泳创作的《杜鹃山》音乐，作了初步的研究分析。指出于氏是如何在京剧传统唱腔音乐基础上，打破行当流派，打破传统唱腔音域、音区，打破摆字、板式结构等，不拘一格地加以融会贯通、阐发新意。又如何大力吸收其他戏曲、曲艺等音乐成分；借鉴西洋音乐的技巧、手法、形式，来充实、发展我国传统的京剧音乐，从而在京剧乃至戏曲的推陈出新上，迈出了一大步。
This article makes a preliminary research and analysis on ＂The Azalea Mountain＂ music composed by Yu Huiyong. Based on the traditional Beijing Opera vocal music, the composer broke through the professional actors＇ division, the traditional opera＇s vocal music register and meter structure to make bold innovation in his work. He vigorously absorbed the music elements of other traditional operas as well as folk arts and also drew from the Western music skills, methods and forms to enrich and develop our traditional opera music and to bring forth the new from the old in the fields of folk arts as well as Beijing Opera.
出处
《乐府新声（沈阳音乐学院学报）》
2011年第3期80-89,共10页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
关键词
主题音调/全剧唱腔布局/唱腔语汇创新/调式对比运用/配曲过门创作
theme tone / the layout of the vocal music of opera / the vocabulary innovation of the vocal music of opera / the application of modal contrast / the interlude creation of the music setting
