摘要
"以意为主"说是中国诗文评一个影响大、渊源早的理论,但自宋代以迄于今,人们对它的渊源问题一直存有误会。有人将"以意为主"说归之于曹丕,有人将其归为金代诗论家,也有人将其归为范晔和杜牧。本文联系书画理论,认为杜牧的"以意为主"说祖述卫夫人、王羲之的书论,而范晔的"以意为主"说则上承庄子和王弼等人的哲学理论。书论和哲学理论构成了"以意为主"说的两类渊源。
The ＂dominance of concept＂,in Chinese poetics,is a theory which has far-reaching influences and remote origin.However,it has suffered more misunderstandings since Song dynasty about its theoretical origin.Some people attribute its origin to Cao Pi,an emperor of Wei dynasty,some people bring it back to critics of Jin dynasty,some people regard it as the invention from Fan Ye,author of History of the Eastern Han,and Du Mu,a famous poet from Tang dynasty.This article,by associating with the theory of Chinese calligraphy and painting,thinks that the theory of Du Mu proceeds form the calligraphic theory of madam Wei and Wang Xizhi,while the theory of Fan Ye roots in Pre-Qin Period philosophy and Wei-Jin metaphysics,such as Zhuang Zhi and Wang Bi,and it is calligraphic theory and philosophy that just provide the dual sources in Chinese Poetics to dominance of concept.
出处
《台州学院学报》
2011年第2期48-52,共5页
Journal of Taizhou University
关键词
以意为主
中国诗文评
范晔
杜牧
王羲之
渊源
考辨
＂dominance of concept＂
Chinese literary criticism
Fan Ye
Du Mu
Wang Xizhi
origin
research
