摘要
距离概念的提出源于对文本的纯审美关注,古典主义美学家康德的"审美无功利"命题为其提供了理论支撑。在现代文学批评中,审美距离理论主要强调主体与文本的一种认知距离。当下文化研究的异军突起,使得对审美距离的阐释不再立足于审美心理与文本接受层面,而是体现为现代个体及其艺术对外在物化现实的审美超越上。在不同的阐释语境中,距离体现并表征着不同的审美文化形态和逻辑。
The concept of distance is put forward due to the attention to pure aesthetics of text and the proposition of ＂non-utility of aesthetics＂ of classical aesthetic Kant provides theoretical support for it. In modem literary criticism, theory of aesthetic distance mainly emphasizes a cognitive distance between subject and text. Currently cultural study becomes the dark horse, resulting in an interpretation not based on aesthetic psychology or the acceptation of text, but on the aesthetic transcendence of modem individual and the art of external material reality. In different interpretational context, distance embodies and demonstrates different aesthetic culture forms and logic.
出处
《求是学刊》
CSSCI
北大核心
2010年第2期98-103,共6页
Seeking Truth
基金
湖南省哲学社会科学基金项目"现代性和审美救赎"
项目编号:09YBA142
关键词
距离
审美
解读
distance
aesthetics
interpretation
