摘要
昆曲青春版《牡丹亭》在海内外高校巡演可谓近年来一道特殊的文化景观,也是一个值得思考、探究的文化现象。青春版《牡丹亭》在青年大学生中广受欢迎,可由制作者在古典与现代之间寻求到一个最佳结合点得到解释;而其高校巡演之意义,则在于吸引、培养年轻观众以重振昆曲,同时还可为高校的人文素质教育提供一种新的途径,展示传统文化的魅力,使大学生们萌发一种对传统文化的认同感。
The serial performances of the Youth Version of the Kun opera Pavilion Peony in home and abroad colleges have become a unique cultural landscape in recent years. It is also a cultural phenomenon worthy of reflection and exploration. Its wide reception in the youth students could be prQperly explained by the joint advantage between the classical and the modern techniques. The meaning of its serial performances in colleges lies in its attraction to and fostering of young audiences who are the basis for its re-- prosperity. The event is also a new way to promote the humanistic quality of the students. In fact, it is a chance to display the power of traditional culture and to arouse in the students an identity with it.
出处
《北京师范大学学报（社会科学版）》
CSSCI
北大核心
2008年第6期53-59,共7页
Journal of Beijing Normal University(Social Sciences)
关键词
昆曲
牡丹亭
青春版
高校
巡演
《牡丹亭》
Kun opera
Pavilion Peony
youth version
serial performances in colleges
