摘要
清理的五座辽墓出土遗物较少,主要遗存为壁画。其中周家店辽墓为砖雕影作仿木结构,是唐、宋建筑结构演变的又一实例。五法村辽墓壁画是辽代早期偏晚的遗存。南关 M2则是大同辽代壁画墓由早期向晚期的过渡形态。大同辽代壁画墓在宋、辽时期的墓葬壁画遗存中具有独特的风格。
In the suburbs of Datong City, archaeological excavation revealed five tombs of the Liao period： three at Nanguan, one at Zhoujiadian and one at Wufa-cun. These graves contain a small number of funeral objects. The main remains in them are murals. Of them those in the Zhoujiadian tomb depict in colors door deities, the 12 symbolic animals associated with a 12-year cycle, scenes of receiving wealth, lamp stands and maids, doors and windows, and maids standing at doors. They decorate the carved-brick members in imitation of timber structures, and constitute an example of architectural evolution in the Tang-Song period. The murals in the Wufa-cun tomb are remains of the later early Liao period; among them the paintings of livestock reflect vividly farming and animal husbandry economy in Liao period Datong. Tomb M2 at Nanguan represents the transitional form of mural tombs at the turn from their early to the late phase. In artistic style, the tomb murals of Liao period Datong embody the influence of the Qidan culture from the north and that from the Central Plains culture. With these exterior elements amalgamated into the local culture, a uique art was developed in the Datong area in the Song and Liao period.
出处
《考古》
CSSCI
北大核心
2007年第8期34-44,101,104,共13页
Archaeology
关键词
山西省大同市
辽代
壁画墓
古建筑
Datong city, Shanxi Province Liao period mural tombs ancient buildings_ _
