摘要
尽管《塞尚的疑惑》不是一篇典型的、技巧层面的画论,但梅洛—庞蒂对颜色的论述随处可见。通观全篇,“颜色”一词出现了30次之多。这里的颜色理论不是讨论着色技巧,而是物体在我们的原初经验中的含混却真实的存在。颜色问题涉及到前期梅洛-庞蒂思想的各个主要方面,如知觉、身体、场等重要概念。本文拟以《塞尚的疑惑》为中心文本,以同时期写作的《知觉现象学》为背景思想,从梅洛-庞蒂的角度剖析塞尚的颜色意义。
Although ＂Le Doute de Céanne＂ is not a typical painting theory article, Merleau-Ponty talked much about the color. The word ＂color＂ appeared almost thirty times there. The color theory here is not about the coloring skill, but the ambiguous but real existence of the object in our primary experience. The color question involves the main conceptions of early Merleau- Ponty, like perception, body, field and so on. This article is trying to explain ＂Le Doute de Cézanne＂, and at the same time to relate it to ＂Phénoménologie de la Perception＂, then to analyze the significances of the word ＂color＂ in Merleau-Ponty.
出处
《衡阳师范学院学报》
2007年第2期40-44,共5页
Journal of Hengyang Normal University
关键词
身体-主体
知觉
颜色
视觉场
body-subject
perception
color
vision field
