摘要
建筑家藤森照信的处女作1991年问世。他的作品既非抽像的现代主义又非具像的地域主义,而是以其"野蛮"的前卫表现获得对现代建筑的批判性,奠定了他的建筑论。反思现代主义的开放空间、工业化材料、计划性的理念,他提出内向空间、自然素材论、现场论和参与论的一家言建筑论,并在之后的作品中不断实践,成为独树一帜的日本现代建筑家。
FUJIMORI Terunobu made his maiden architectural piece in 1991 following his long career as an architectural historian, His works belong neither to Modernism nor Regionalism, and its savageness captures the critical eye of Modernism.To Reflect upon Modernist concept such as open space, industrial materials and well planned： he puts forward his own essay on architecture,that is enclosed space. natural materials, presentness and participation. He contineously practices with such themes in his recent works,and becomes a unique modem architect in japan.
出处
《时代建筑》
2005年第1期130-139,共10页
Time + Architecture
关键词
藤森照信
自然素材
封闭空间
新国际式
参与论
FUJIMORJ Terunobu,Natura Materials, Enclosed space,New-international Style.Participating
