摘要
数字艺术是一种新型的基于数字技术的情感创造、传播与交流的符号系统,它在创作主体、创作思维和审美诉求三个方面都显现出迥异于原子艺术的创作特点。首先,数字艺术家获得了高度自由的创作个性,自我确立了民主的创作秩序,实现了彻底的精神解放,建树起和谐发展的文化人格,并形成了一种新型的艺术思维范式———数字思维;数字思维既是一种多向度发散性的思维,也是一种平等性和平民式的思维,还是一种创新求异性的思维,更是一种基于人工智能的放量思维。最大限度地制造感官快感,最大限度地开拓新奇的审美领域,最大限度地满足人类的体验梦想,最大限度地开发和制造“轰动性产品”,是数字艺术创作的最主要的审美诉求。
Digital art,a new type of digital technology-based system of art symbols,differentiates from traditional so-called atomic art within artists' personality,thinking mode for art and aesthetical pursuing.With a highly free spirit of art imagination and a self-established democratic order of art creation,the digital artists have built up a kind of coordinated cultural personality with an thoroughly open-up mind and soul.Another result of this subjective quality is associated with the formation of a new paradigm of art thinking——aesthetical thinking which is characteristic of multi-direction,equality,innovation as well as artificial intelligence-assisted function-promotion in the mode.It aims at bringing about the highest level of sensual quickness,to develop original novel of aesthetics,to meet the need of human aesthetical experiences and producing smashing products to the greatest extents.
出处
《理论学刊》
北大核心
2006年第7期114-118,共5页
Theory Journal
关键词
数字艺术
原子艺术
数字思维
审美诉求
digital art
digital artist
digital thinking
digital aesthetics
