摘要
初盛唐之交,陈元光《龙湖集》在诗歌题材、审美趣味、诗歌风格等方面均有所突破。《龙湖集》记载了诗人在闽地真实的生活经历和感受,对于以想象为特征的初唐边塞诗歌,是一种题材的发展。《龙湖集》出现了由雅趋俗的审美变化,在诗歌当中展现闽南一带人民淳朴的民风,富有浓郁的生活气息,从而开拓了诗歌视野。《龙湖集》与初唐宫廷浮弱的文风不同,展现了清新刚健的新诗风。《龙湖集》是“盛唐之音的前奏曲”。
At the turn of the early Tang Dynasty to the prosperous Tang, Chen Yuanguang＇ s Longhu Poetry Anthology had some breakthrough success in the theme, aesthetics and style. The book, recording the poet＇s actual life experience and feeling in Min （ancient name for Fujian）, extended the theme of frontier lives in the early Tang Dynasty. It experienced the aesthetic change from elegance to popularity, narrating the pure social customs in Minnan. Full of life characteristics, it broadened the poetry view. The book showed the new style of freshness and health, compared with the palace weakness in the early Tang Dynasty, so it is the prelude of the prosperous Tang.
出处
《漳州师范学院学报（哲学社会科学版）》
2006年第2期91-95,共5页
Journal of Zhangzhou Teachers College:Philosophy and Social Sciences
