摘要
作为中国影坛新一代———第六代导演在刚登场之初就表现出叛逆的姿态,在主流话语的夹缝中求生存,其影像话语是迥异于前代导演的,本文先简单追溯了百年中国影坛中导演的代际谱系,然后从影像视点的边缘与另类,影像的碎片化都市空间,影像风格的时尚化几个方面加以论述。
As a new force of China＇s fiim-directing, the Sixth Generation Directors have shown a spirit of rebellion since their emergence, struggling for a space of survival and development against the hostile mainstleam style of film-directing. This paper attempts to present a comprehensive picture of the development of China＇s film-directing in the past century, and then illustrate the marginality and alienation, fragmented urban living, and state-of-all fashions depicted in China＇s films in order to communicate the discourse ofthe Sixth Generation Film-directors to the readers.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2005年第4期45-48,共4页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
第六代导演
影像
边缘
碎片
摇滚
时尚化
The Sixth Generation Film-directors, films, marginality, fragment, rock and roll, fashion
