摘要
从法国诗人克洛岱尔对文本形式和谐的追求探讨了部分法文诗歌中在书写和排版上表现出来的视觉形式,分析其符号学象征功能以及东方文化的影响,也指出它们在诗歌价值上的局限。
This paper discusses, through Paul Claudel's search of harmony on text form, some visual forms in writing and typography of some French poems. It analyses their symbolic functions in semiotics and some influences of the Oriental culture, also points out their limits on poetic value.
出处
《天津外国语学院学报》
2005年第4期60-64,共5页
Journal Of Tianjin Foreign Studies University
