摘要
《商颂》为商诗,此观点在甲骨卜辞中亦有印证。卜辞多次言及“学商”“奏商”“舞商”之事,经考,此“商”乃一系列歌颂商族历史和祖先功绩的祭歌,与《商颂》多有契合,部分歌诗可能就是后来《商颂》的雏形。“商”与《濩》、万舞共同构成了诗、乐、舞三位一体的综合艺术形态。三者“浑言则同,析言则异”,以乐言之则为《濩》,以舞言之则为“万”,以歌诗言之则为“商”。作为商王历代沿用的祭祀大乐,《商颂》已具备了一套完整的举乐流程,对周代礼乐产生了深刻影响。入周之后历经制礼作乐,《濩》乐、“商”诗、万舞皆被改造,在功能形态方面发生了很大变化。
The Ode to Shang is the poetry of the Shang Dynasty,which was proven on oracle bone inscriptions.The inscriptions have mentioned“learning the Shang”“playing the Shang”and“dancing the Shang”several times.According to the textual research,the“Shang”is a series of sacrificial songs praising the history of the Shang people and the achievements of their ancestors,which are mostly in line with the Ode to Shang,and some of the poems may be the prototypes of the later Ode to Shang.“Shang”,Huo and“Wan dance”together constitute a comprehensive artistic trinity of poetry,music and dance.They are the same in general,but different in detail.From the dimension of music,it can be called Huo,from the dimension of dance it can be called“Wan”,and from the dimension of poetry,it can be called“Shang”.As the traditional sacrificial music of the Shang Dynasty,it had a set of complete performance process,which had a profound impact on the rites and music of the Zhou Dynasty.After entering the Zhou Dynasty,the music of Huo,the poetry of“Shang”,and Wan dance have been reformed by the rites and music,and great changes have taken place in the function and form.
作者
屠志芬
TU Zhi-fen(Graduate Faculty,Jilin University of the Arts,Changchun 130021,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2023年第5期33-39,共7页
Journal of Beijing Dance Academy
基金
国家社科基金艺术学项目“甲骨卜辞中乐舞材料的整理与研究”(项目编号22BE082)阶段性成果
关键词
《商颂》
学商
奏商
舞商
《濩》
万舞
Ode to Shang
learning the Shang
playing the Shang
dancing the Shang
Huo
Wan dance
