摘要
犹太教和基督教历史上留下诸多表现圣经故事的图像、壁画及雕塑,展现出艺术家对圣经故事的不同诠释。以《创世记》22:1-14为例,基督教艺术家对“燔祭以撒”的描绘与犹太教艺术家对“捆绑以撒”的刻画同中有异,异中有同。艺术释经承载了艺术家们独特的释经思想,影射了文学释经中丢失的传统,与其发生了积极的双向互动,使圣经文本得到更加全面深刻的剖析,同时也暗示了犹太教与基督教之间的释经相遇。
Jewish and Christian history is replete with various kinds of images,murals and sculptures representing Bible stories,which can be seen as a form of artistic exegesis.The example of Genesis 22:1-14 shows how Christian artists’depictions of the"Sacrifice of Isaac"share both differences and similarities with Jewish artists’depictions of the"Binding of Isaac."Artistic exegesis has conveyed particular exegetical understandings of the artists,revealed lost exegetical traditions,and formed a positive and complementary relationship with literary interpretation,allowing a more comprehensive analysis of the Biblical text,as well as indicating a shared artistic exegetical encounter between Judaism and Christianity.
作者
马楠
刘新利
MA Nan;LIU Xinli(Center for Judaic and Inter-Religious Studies of Shandong University)
出处
《圣经文学研究》
2022年第1期205-230,共26页
Journal for the Study of Biblical Literature
基金
教育部人文社会科学重点研究基地重大项目“犹太教与基督教关系的历史与现实研究”(项目号:16JJD730002)
