摘要
“用耳朵阅读”的莫言,诸根互用、听声类形,聆察乡土地籁、人籁、天籁。其中,主调音“地籁”,编织大地的肉身,确定乡土世界野性、神性的基本调式,体现作者虚而待物、与物同体的齐物思维和以声见人的叙事民主。信号音“人籁”折射作者返归童年,通过言说进行自我救赎的初始情怀。标志音猫腔如“天籁”,是无声中国的渊默雷声,激活五四以来被启蒙话语遮蔽的乡野声音。莫言依凭农民的直觉推动与听觉想象,创造性转化庄子大音希声“听之以气”的传统文化基因,耳目内通,内听自在,外观世音,洞见众“声”平等,用声音恢复乡土中国的肉身,唤醒现代人聆听大地的能力,建构东方式的声响生态学。
Mo Yan reading through ears listen the sounds of land,man and nature by the way of synesthesia.The key sound is the sounds of land which weave the flesh of the earth,determine the basic mode of the wild and divine nature of the local world,reflect the author's thinking of“treating things with emptiness”and“being in the same body with things”,narrative democracy seeing people by sound.The signal sound is the sounds of man which reflect the author's initial feelings of returning to childhood and self-redeeming through speech.The marked sound is Mao Qiang which is the thunder of silence China,activate the rural voice shielded by enlightenment discourse since the May 4th movement.Mo Yan relied on farmer's intuition and auditory imagination,creatively transformed the traditional cultural gene of Zhuang Zi great music with the faintest notes,saw clearly all sounds are equal,restored the body of native China with sound,awaked the ability of listening to the earth of modern people and constructed the oriental sound ecology.
出处
《文化研究》
2023年第1期345-365,共21页
Cultural Studies
基金
2022年国家社会科学基金项目“齐物论视域下当代中国小说物叙事研究(1978—2022)”(22BZW167)的阶段性成果
关键词
地籁
人籁
天籁
莫言
乡土音景
the Sound of Land
the Sound of Man
the Sound of Nature
Mo Yan
Local Soundscape
