摘要
本文集中讨论了4—6世纪中国北方佛教造型艺术和装饰中存在的连续性形式系统,与中国南方在汉语音韵学、诗歌创作中探索的形式规律——即造型艺术的“纹”和音韵学、文学的“文”——之间的历史联系及其跨媒介转换与生成;并对这一时期艺术独特的“反像”和“反书”现象,做了全新的阐释和解答。作者希望通过该研究,能够为不同于门类艺术史的艺术史研究,探索一种具备宏观视野同时又不失于具体性的方法——一种跨媒介艺术史的研究路径。
This paper focuses on the historical relationship between the continuous formal system existing in Buddhist plastic arts and decoration in northern China from the 4th to the 6th century and the formal law explored in Chinese phonology and poetry creation in southern China,that is,the“pattern”of plastic arts and the“Character”of phonology and literature,as well as its cross media transformation and generation;It also makes a new explanation and answer to the unique“inverse image”and“inverse character”phenomena of art in this period.The author hopes that through this research,we can explore a method with macro vision and without losing specificity-a research path of cross media art history for the study of history of different categories of art.
出处
《艺术管理（中英文）》
2022年第1期35-45,54,共12页
Journal of Arts Management
关键词
中古
“纹”
“文”
“永明新风”
三元性
跨媒介艺术史
Middle Ages
“Pattern”
“Character”
“Yongming New Style”
Ternicity
Cross Media Art History
