李商隐是中国晚唐时期著名诗人,其作品《无题》以其细腻的情感和朦胧的意境著称。这是一首思念之歌,记离别和相思之苦。李商隐以“别”字引起下文,描绘了一对情人分别时的痛苦和思念,表达了深沉相思离别之情。本文以许渊冲译本、卓振英...李商隐是中国晚唐时期著名诗人,其作品《无题》以其细腻的情感和朦胧的意境著称。这是一首思念之歌,记离别和相思之苦。李商隐以“别”字引起下文,描绘了一对情人分别时的痛苦和思念,表达了深沉相思离别之情。本文以许渊冲译本、卓振英的译本为例,以三美理论为视角,分析不同译者对诗歌意境、语言节奏和情感表达的理解与处理。这种对比分析有助于读者更深入地理解《无题》的内涵与魅力。通过赏析两个译本,读者可以更全面地理解《无题》这首诗歌的意境和美感,同时也能够感受到不同译者的翻译理念和技巧。Li Shangyin was a famous poet in the late Tang Dynasty of China, whose work To One Unnamed is renowned for its delicate emotions and the artistic conception. It is a song of longing, remembering the pain of parting and lovesickness. Li Shangyin uses the word “Farewell” to arouse the following, depicting the pain and longing of a pair of lovers at the time of parting, and expressing the deep feelings of lovesickness and parting. Taking Xu Yuanchong’s translation and Zhuo Zhenying’s translation as examples, this paper analyzes different translators’ understanding of the poem’s mood, language rhythm, and emotional expression from the perspective of the “Three Beauties” Theory. This comparative analysis helps readers gain a deeper understanding of the connotations and charm of To One Unnamed. By appreciating the two translations, readers can more comprehensively grasp the artistic conception and aesthetic appeal of the poem To One Unnamed, while also experiencing the distinct translation philosophies and techniques employed by different translators.展开更多
电影《了不起的盖茨比》(The Great Gatsby)翻拍自20世纪美国著名作家菲兹杰拉德的同名小说,讲述了20世纪美国年轻人追寻“美国梦”的精神理想与社会现实,体现了美国社会年轻人命运的坎坷和悲凉。电影主题歌《阅尽浮世繁华》(Young and ...电影《了不起的盖茨比》(The Great Gatsby)翻拍自20世纪美国著名作家菲兹杰拉德的同名小说,讲述了20世纪美国年轻人追寻“美国梦”的精神理想与社会现实,体现了美国社会年轻人命运的坎坷和悲凉。电影主题歌《阅尽浮世繁华》(Young and Beautiful)以凝练简洁的笔触展现了引人入胜的故事主题,以扣人心弦的旋律描绘了主人公的丰富情愫和心路历程。电影主题歌往往用词简洁明快、意味隽永,其翻译无疑存在“音美”“形美”“意美”三方面的挑战。文章选择QQ音乐上的歌词译文作为研究对象,以“三美论”翻译理论为指导,探讨该主题歌翻译中的优长与不足,有助于丰富“三美论”视角下翻译研究的范畴,推动本土翻译理论走向海外。展开更多
文摘李商隐是中国晚唐时期著名诗人,其作品《无题》以其细腻的情感和朦胧的意境著称。这是一首思念之歌,记离别和相思之苦。李商隐以“别”字引起下文,描绘了一对情人分别时的痛苦和思念,表达了深沉相思离别之情。本文以许渊冲译本、卓振英的译本为例,以三美理论为视角,分析不同译者对诗歌意境、语言节奏和情感表达的理解与处理。这种对比分析有助于读者更深入地理解《无题》的内涵与魅力。通过赏析两个译本,读者可以更全面地理解《无题》这首诗歌的意境和美感,同时也能够感受到不同译者的翻译理念和技巧。Li Shangyin was a famous poet in the late Tang Dynasty of China, whose work To One Unnamed is renowned for its delicate emotions and the artistic conception. It is a song of longing, remembering the pain of parting and lovesickness. Li Shangyin uses the word “Farewell” to arouse the following, depicting the pain and longing of a pair of lovers at the time of parting, and expressing the deep feelings of lovesickness and parting. Taking Xu Yuanchong’s translation and Zhuo Zhenying’s translation as examples, this paper analyzes different translators’ understanding of the poem’s mood, language rhythm, and emotional expression from the perspective of the “Three Beauties” Theory. This comparative analysis helps readers gain a deeper understanding of the connotations and charm of To One Unnamed. By appreciating the two translations, readers can more comprehensively grasp the artistic conception and aesthetic appeal of the poem To One Unnamed, while also experiencing the distinct translation philosophies and techniques employed by different translators.
文摘电影《了不起的盖茨比》(The Great Gatsby)翻拍自20世纪美国著名作家菲兹杰拉德的同名小说,讲述了20世纪美国年轻人追寻“美国梦”的精神理想与社会现实,体现了美国社会年轻人命运的坎坷和悲凉。电影主题歌《阅尽浮世繁华》(Young and Beautiful)以凝练简洁的笔触展现了引人入胜的故事主题,以扣人心弦的旋律描绘了主人公的丰富情愫和心路历程。电影主题歌往往用词简洁明快、意味隽永,其翻译无疑存在“音美”“形美”“意美”三方面的挑战。文章选择QQ音乐上的歌词译文作为研究对象,以“三美论”翻译理论为指导,探讨该主题歌翻译中的优长与不足,有助于丰富“三美论”视角下翻译研究的范畴,推动本土翻译理论走向海外。
