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黄宾虹书画技艺理论与实践中“天人合一”思想研究

Research on Huang Binhong’s idea of“Harmony Between Heaven and Man”based on his theory and practice of calligraphy and painting skills
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摘要 “天人合一”哲学思想作为华夏文化的重要组成部分,对中国书画艺术影响深远,它承载着中国上下五千年的发展历程,引领中国书画艺术的审美方向与艺术价值。“天人合一”哲学思想体系体现了世间万物相互融合的生态观与“天地人”三者共感的宇宙规律,这种生态观、宇宙规律具有普遍的、重要的指导意义。以黄宾虹书画技艺中“五笔七墨”“书画同源”“太极笔法”为研究对象,探索新安派代表画家对中国生态哲学中“天人合一”思想的精神感悟,以期为今后相关研究提供理论与实践启示。 As an important component of Chinese culture,the philosophical idea of“unity of heaven and man”has a profound impact on Chinese calligraphy and painting art.It carries the development process of China for five thousand years,leading the aesthetic direction and artistic value of Chinese calligraphy and painting art.The philosophical thought system of“unity of heaven and humanity”reflects the ecological view of the integration of all things in the world and the universal laws of the universe shared by“heaven,earth,and humanity”.This ecological view and cosmic laws have universal and important guiding significance.This article focuses on the three aspects of Huang Binhong’s calligraphy and painting skills,including“Five strokes and Seven inks”,“Same origin of calligraphy and painting”,and“Taiji brushstrokes”.It explores the spiritual and personal insights of the older generation of Chinese calligraphers and painters on the concept of“harmony between heaven and man”in Chinese ecological philosophy,aiming to achieve the goal of harmonious development between humans and nature.It is expected to provide theoretical and practical inspiration for future research.
作者 刘羽天 赵谦 Liu Yutian;Zhao Qian(School of Art and Design,Anhui Business College,Wuhu,Anhui 241002;Basic Teaching Department,Anhui Business College,Wuhu,Anhui 241002)
出处 《安徽商贸职业技术学院学报》 2025年第1期59-64,共6页 Journal of Anhui Business College
基金 安徽省社会科学创新发展研究课题(2022CX547)。
关键词 黄宾虹 天人合一 五笔七墨 书画同源 太极笔法 Huang Binhong Unity of heaven and man Five strokes and seven inks Calligraphy and painting share the same origin Taiji brushwork
分类号 J212 [艺术]

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